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Monday, September 21, 2009

National Performing Humanities College : The Pride of Dublin

By Mary Kurtz

NPAS is the acronym for state Performing arts college. Located in Dublin, Eire, it is the college for students aged two to 20 and 20+, who have the serious wish to learn and build a future in the performance arts.

The college has been set up and run by Jill Doyle and Eamon Farrell, who turns out to be actor Collin Farrell's bro. For 16 years now NPAS has been offering numerous art courses in drama, all sorts of dance, singing, musical theater, and ballet. The college also renders coaching and courses on more contemporary types of dance and genres like tango, salsa, film production, bollywood, which is now gaining a giant multinational audience, and musical theatre. NPAS should be credited for the 1st ever course on the revolutionary salsercise, which is a solid combination of salsa, dance, and exercise.

It has been said that the popular dance classes offered by NPAS have integrated themselves into the adult's social life. A few of these world-renowned dances are street dance, tap dance, acting for camera, singing, and general ballet for adults.

Students of NPAS are also meant to perform each two years in Olympia Theatre. They are also popular for the workshops that they run all throughout the year. NPAS is also inspiring performance art groups such local art groups or a drama group. This openness that NPAS emitted for the whole community of dancers, artists, and vocalists has made them great in the eyes of art enthusiasts and professional artists.

This comparatively young art college has just lately opened The studios, the up-to-the-minute rehearsal, performance, and academic facility that has been used for NPAS' photo and TV shoots and many other performing art related activities. Found in Dublin's Docklands, this giant structure homes 9 terraces that are two hundred sq. Ft. To four hundred sq. Ft. In size.

NPAS has a promising future and with it's the support of the many folks whose lives it has touched.

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